The Professor was in a pensive but loquacious frame of mind recently following a particularly agreeable game of pitch penny in Wickham Skeith. There wasn't a dry eye in the house when, once again, Arthur 'Toad-in-the-Hole' Shellbottom was declared Champion Pitcher and Foremost Penny Ruminator. Taking a long draught from his pint of Dringey Forplaint Special Ale, the Professor began his solemn tale: “Shellbottom's great-grandfather was the principal reason that my own ancestor became an academic and funambulist. The two men were great rivals in the hatting business, vying for the role of principal supplier of doubtful hats to the Federation of Minor Cricket Umpires and Croquet Mallet Makers. My great-grandfather thought he had the edge on his opponent with his use of the finest gutta-percha in his much-admired, multicoloured trilbies. But there was no way he could compete with Shellbottom's development of a range of ventilated hats named after British politicians of...
Recently, as we perused, with much admiration, Ezra Gloppened's recent publication "Goo! : Butter Churns and their Role in the Peasants' Revolt", I ventured to ask if the Professor had ever considered an alternative career. "I haven't always been attracted to the academic life," the Professor admitted. "Many years ago, I did spend some time on the road with my band The Inadequate Zarf. Ah, happy days! Except for the less happy days, which, come to think of it, was most of them." I was unsure about the veracity of this statement until I chanced upon a copy of The Inadequate Zarf’s classic album "Physalis In My Pocket" in a bric-a-brac sale at the Sandford Spence Schultz Home for Fractious Umpires. My favourite track is, without doubt, "Ruckus In The Olfaction Department", featuring the Professor's solo on bass harmonica, an instrument of which he has little or no knowledge.
The following notes may shed some light on an obscure but significant period in the Professor's life. Following disagreements with the senior staff at Trewellard University (reportedly involving the efficacy of deploying a leg slip), the Professor left to become Artist Out of Residence at Aston Botterell. It was here that the Professor created the ground-breaking performance art piece "Make Mine A Double". This site-specific piece at the local brewery lasted for nearly three months and involved many contemporary dance troupes, the postman, community volunteers, passing dog-walkers and 18 chickens. The local press enthusiastically described the event as "taking place". To this day, the Professor refuses to explain the piece more fully save to say that "The meaning is subjective, yet the subjective has meaning. And the eggs came in very useful." Shortly after this performance, the professor left to take up the post of Directeur Sportif of the cycling tea...
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