As he sipped his glass of Madeira, the professor entertained us with the tale of his attempt some years ago to break the world record for staring at chickens.
Anyone who has even a passing interest in the Professor's career will doubtless agree that I have been avoiding the elephant in the room. (Not literally, of course; I have spent a number of happy hours with Celebes the Elephant). I have to admit that it is high time that I address the Professor's role in the controversial but legendary Nubiferous Experiment at Upton Snodsbury. When Professors Gaincope, Gannywedge and Choops began this extraordinary endeavour they had the highest hopes of success and considerable funds from anonymous bankers, dubious politicians, frenzied venture capitalists and other mountebanks. Indeed, their early results were creating considerable interest in publications such as “The Farrier's Monthly” and “The Cordwainer's Digest”. This led to the inaugural trio inviting other academics, scientists, latent runagates and prospective grifters to take part in their momentous venture. The Professor rarely speaks of his involvement but there is littl...
Recently, as we perused, with much admiration, Ezra Gloppened's recent publication "Goo! : Butter Churns and their Role in the Peasants' Revolt", I ventured to ask if the Professor had ever considered an alternative career. "I haven't always been attracted to the academic life," the Professor admitted. "Many years ago, I did spend some time on the road with my band The Inadequate Zarf. Ah, happy days! Except for the less happy days, which, come to think of it, was most of them." I was unsure about the veracity of this statement until I chanced upon a copy of The Inadequate Zarf’s classic album "Physalis In My Pocket" in a bric-a-brac sale at the Sandford Spence Schultz Home for Fractious Umpires. My favourite track is, without doubt, "Ruckus In The Olfaction Department", featuring the Professor's solo on bass harmonica, an instrument of which he has little or no knowledge.
I cannot deny that Uncle Leucocholy loved a pataphor almost as much as Sussex Pond Pudding and games of Wink Murder. And so it was inevitable, perhaps, that he would assume the identity of a member of The Macrosmatic Brass Band whenever he found himself near a windmill. His performances at the celebrations for 29 Gidouille are still remembered fondly in a few arcane parts of Belgium.
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