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Showing posts from January, 2026

The Professor As Artist Part 3

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Some years ago the Professor's work “Sylvan Ascendance” caused a considerable amount of perturbation almost amounting to a prototypical brouhaha. The question of how apparent levitation could be achieved was discussed at length by art critics, aeronautical engineers, savants and other rampallions.  In preparation for this work, the Professor was known to have instigated a process of non dualist meditation and trampolining but was also rumoured to have been seen installing a system of wires and hoists. He now refuses to discuss this brief period of his life in any way. Although one night shortly before the last winter solstice, following a tasting of aged Calvados, he did disclose to me in confidence that, “I'm damned if I could remember how to get the unfortunate participants down again.” Shortly after this mystifying spectacle, the Professor moved on to take up the post of Principal Curator of Unexplained Trinkets at the Pudleston Bauble Museum.

Postcards Of Paris

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While, once again, trying to establish some degree of order in the Professor's papers, I came across a number of old postcards of Paris concealed beneath a biography of Evelyn Rockley Wilson.  The Professor leafed through the fading cards and, of course, began one his anecdotes:  “These cards remind me hardly at all of my meeting with Daniel Brereton in Paris one autumn evening. He'd just finished working his shift at ‘Le Maillot de Lumière’, the bar somewhere in Le Marais.” “He's no bartender,” I suggested. The Professor ignored my interruption and went on, “We strolled though a local park of fountains. As we walked on we became so deeply absorbed in a discussion concerning the diligence of lightning that we paid no attention to our surroundings. Eventually we looked around and were surprised to find ourselves facing a castle that had no meaning at all.” “He's no bartender,” I repeated.